The seven deadly sins

Published August 20, 2013

KARACHI: Perhaps the most challenging part of an art installation is to make the aesthetics of an artwork involved in its construction commensurate with the concept that stirred the artist into creating it. Installations are a tricky art form. They often dupe the viewer by their sheer size or by talking more and saying less.

An exhibition titled ‘Seven Deadly Sins’ curated by Arshad Faruqui is under way at the Koel Art Gallery. As can be gauged by the title of the show, it is about the seven sins that mankind has always been asked to steer clear of, and it’s done in a setting that is as contemporary as it gets. Why? It’s done through collaborative installations by architects, artists and a writer.

While one can argue that the seven exhibits in a contextual framework are somewhat literal (for example, the association of a bed or charpoy with the word ‘lust’ does not make the viewer go crazy about its multifaceted interpretation) the creativity that has gone into the thought process defies literality. The same can be said about Samir Sadrudin and Naheed Mashooqullah’s effort.

‘Wrath’ is to do with antagonism, hence Raza Zahid and Pronit Nath depict it as a prickly issue that doesn’t let two entities (read: two neighbours) come close to each other. Mohsin Hamid and Omar Hassan make ‘gluttony’ their subject. The idea that space is being consumed through the excessive desire to eat is pretty simple to present. But eating is here taken as a form of pleasure. And the ephemeral nature of pleasure can be a dangerous thing, for it sometimes devours the devourer.

Sara Chapra and Omar Omari bring to light the political side to ‘greed’. The blood that’s being taken out of containers (or sucked) is not a parasitic urge but a result of inordinate greed to manipulate.

‘Sloth’ by Arshad Faruqui and Seema Nusrat is an attempt at showing how inactivity or lethargy can mess up things in bundles, which manifests themselves at a later stage in life.

Rashid Rasheed, R.M. Naeem and Sadia Rasheed handle ‘envy’ in a collective sense and do not deem it as an individual sin, as it were, whereas Usman Khan, Danish Shahid, Noor Saeed and Saadiya Talat find the letter ‘i’ in the word ‘pride’ as the root cause of all problems. This means, society should get rid of their ‘I’ specialists.

The show will continue till Aug 26.

Opinion

Editorial

Energy shock
05 May, 2026

Energy shock

WITH the Strait of Hormuz caught in a dangerous limbo, the global energy markets have entered the most uncertain...
Unchecked HIV
05 May, 2026

Unchecked HIV

PAKISTAN’S HIV surge is no longer a slow-burning public health concern. It is now a system failure unfolding in...
PSL thrills
05 May, 2026

PSL thrills

BY the end of it all, in front of fans who had been absent for almost the entire 11th season of the Pakistan Super...
Interlinked crises
Updated 04 May, 2026

Interlinked crises

The situation vis-à-vis the US-Israeli war on Iran remains tense, with hostilities likely to resume if the diplomatic process fails.
Climate readiness
04 May, 2026

Climate readiness

AS policymakers gather for the Breathe Pakistan conference this week, the urgency is hard to miss. Each year, such...
Kalash preservation
04 May, 2026

Kalash preservation

FOR centuries, the Kalash people have maintained a culture, way of life, language and belief system that is uniquely...