Here’s the overtly-romanticised story based in Indianapolis: Hazel Grace, a 16-years-old teenager, is increasingly disillusioned towards life. She is suffering from cancer and spends most of her time thinking about death. A drug called Phalanxifor affords her a few years. Hazel’s parents force her into attending a Support Group for cancer patients where she meets Augustus Waters, a 17-year-old lad in remission. Both are attracted to each other instantly, without any misgivings. While, understandably, romantic decisions in your teens aren’t supposed to be exactly judicious, one can’t help getting irked at the author for making it seem so opportune.

Both hit up with each other extremely well and have animated conversations. Following Augustus’ probing, Hazel even shares her favourite novel “The Imperial Affliction”. The latter becomes a subject of many of their subsequent conversations after Augustus decides to read it. Both are consumed with curiosity about the novel’s incomplete ending. Hazel’s only wish in the world is to know what happens to its characters.

Augustus takes it upon himself to fulfill Hazel’s wish and manages to correspond with the assistant of Amsterdam-based author Peter van Houten for a permitted meeting. He uses his only wish from the imaginary “Make a Wish Foundation” to arrange a trip to Amsterdam for Hazel and himself, so that they can rendezvous with the author and question him about the novel’s elusive ending.

Although the trip they undertake with Hazel’s mother is the defining point of the novel, the ‘feigned’ aspect does not miss you. It is on the trip that Hazel and Augustus fall in love. They even meet the solitary, alcoholic author of “The Imperial Affliction”, but the meeting doesn’t transpire as they had hoped. The duo is unable to procure any answers from the author, who turns out to be a jerk. Deeply upsetting and bewildering, this overwhelming tragedy is only redeemed when they are shown around Amsterdam by the author’s assistant. Afterwards, they consummate their relationship and Augustus confesses to Hazel that his cancer is back with increased ferocity. Even though he promises to fight it for her sake, it is evident that he won’t survive. While this revelation is moving, it also seems affected and unconvincing. The barely four-day trip is the epitome of everything that is there to the plot. Whatever happens before and after the trip are just unnecessary supplements. You can persevere with reading, after telling yourself that it is okay for everything to be so glaringly obvious. Having made my disclaimer, I will now commence further.

So the pair returns to Indianapolis and the end is as tragic as expected. Except for some excitement concerning Augustus’ eulogy to Hazel and how she manages to obtain it, there is nothing to write home about.

When the story finished, I, too, had a wish like Hazel. I wished ardently that Green had not made the novel so predictable.