NEW YORK: Unable to find her second directing project, Angelina Jolie took to sifting through “generals”. Looking for a diamond in the rough, the actress-turned-director searched the movies that studios owned but weren’t making.

“So I scanned through these generals and landed on Unbroken, a story of resilience and strength and the human spirit, of faith and survival at sea,” says Jolie. “It was about three sentences and I came home and I said to Brad, ‘What about this one?’ And he said, ‘Oh, honey, that one’s been around forever.’ It had a reputation for being one that never gets done.”

But Unbroken — the true tale of Louis Zamperini, a track star who was lost in the Pacific for 47 days after his plane was shot down during World War II — stuck with Jolie, even though it had been kicking around Hollywood for decades.

“It was like a fever, an obsession,” she says. “So I fought for it and I fought for it and I fought for it,” says Jolie. “It took me months of fighting to get the job.”

Even for the world’s most famous stars, determination is a necessary ingredient for the fall movie season. Few of the fall’s films haven’t had to claw their way to theatres.

It’s a season for the movies’ most unconventional thinkers, the ones dedicated to making a tragic Olympic wrestler drama (Foxcatcher) or finding humour in North Korea (The Interview).

Led by Unbroken (Dec 25), this year’s fall is a battlefield of war stories, including Jolie’s (new) husband Brad Pitt on the Western Front in Fury (Oct 17), a WWII drama about a tank of American soldiers.

Clint Eastwood also returns for his second film this year with American Sniper (Dec 25), starring Bradley Cooper as an elite Navy SEAL marksman. American tales, both triumphant and warped, will be numerous.

In the based-on-a-true-story Foxcatcher (Nov 14) from Bennett Miller, an Olympic wrestler (Channing Tatum) is taken in by a rich but demented benefactor (Steve Carell).

A year after David Oyelowo and Oprah Winfrey co-starred in The Butler, they reteam for Selma (Dec 25), in which Oyelowo plays Martin Luther King. (Winfrey is a producer.)

In The Interview (also Dec 25) from Seth Rogen and his directing partner Evan Goldberg, Rogen and James Franco play journalists asked by the CIA to assassinate Kim Jong-un. It’s distinguished as the only autumn film a country (North Korea) has asked President Obama to block.

An almost as unlikely international pairing comes in Rosewater, Jon Stewart’s adaptation of Maziar Bahari memoir about being imprisoned for 118 days for reporting for Newsweek on the 2009 Iranian elections.

Many of the upcoming films — like Alejandro Inarritu’s Birdman, or the Unexpected Virtue of Ignorance with Michael Keaton (Oct 17), and the Reese Witherspoon drama Wild (Dec 5) — will drum up anticipation on the festival circuit and hope to be drafted into the awards season industrial complex, an increasingly all-consuming annual rite of hype-soaked frenzy.

This year, one film will set the season’s beat unlike any other: Whiplash (Oct 23). In the Sundance hit, Miles Teller plays an obsessively focused jazz drummer at an elite New York conservatory under the strict tutelage of a drill-sergeant teacher (J.K. Simmons).

“Absolutely where I connected to Andrew was his drive and his ambition,” says Teller, the 27-year-old actor whose 2013 breakout with The Spectacular Now will continue with Whiplash. “You can look at this movie and say, ‘It’s destroying him. It’s killing him. He’s giving away his humanity for his art.’ But a lot of people go through life not caring about anything remotely as much as Andrew cares about drumming.”

Whereas Teller is a fresh face to the gauntlet of awards season, David Fincher is a seasoned veteran — one who has consistently avoided the season’s trappings.

He directs one of the fall’s most anticipated movies, Gone Girl (Oct 3), an adaptation of the best-selling Gillian Flynn novel, starring Ben Affleck.

Other heavyweight film-makers, of course, will be debuting films this fall, including Paul Thomas Anderson’s Thomas Pynchon adaptation, Inherent Vice (Dec 12), starring Joaquin Phoenix. But no film is more eagerly awaited than Christopher Nolan’s Interstellar (Nov 7), a philosophical science fiction thriller starring Matthew McConaughey.

A year after his Oscar win for Dallas Buyers Club, the McConaissance is going to space. After a weak overall summer box office (down 14.7 per cent from 2013), movies like Mockingjay, the Will Smith-produced musical Annie (Dec 19), Ridley Scott’s Moses epic, Exodus: Gods and Kings (Dec 12) and Peter Jackson’s final Tolkien film, The Hobbit: The Battle of the Five Armies (Dec 17) will try to bring the crowds back.—AP

Published in Dawn, September 4th, 2014