In recent years, the rise of religious extremism and related violence has led to an increasing literary interest in the historical rivalry between Dara Shikoh the Mughal heir and his younger brother, Aurangzeb. In these writings, the latter represents an intolerant religious extremism and the former a more inclusive, tolerant and multicultural aspect of faith. Now the Indian writer and historian Murad Ali Baig has added to this body of work with his debut novel Ocean Of Cobras which encompasses the sibling rivalry between Shah Jahan’s four sons, but focuses in particular on Dara Shikoh and Aurangzeb and the respective partisanship of their sisters Jahanara and Roshanara.

Baig constructs his plot in the form of a lost manuscript, discovered after 1857, by British officers in the Red Fort, Delhi and translated by British scholars from the original Persian into English: the document proves to be written by the fictitious Mubarak Ali, a eunuch at Shah Jahan’s court. The great strength of his narrative lies in the descriptions of different aspects of 17th century India including the precariousness of court life while serving a fratricidal/patricidal dynasty.

Mubarak Ali, the son of a Persian nobleman and an aristocratic French lady, becomes the victim of family misfortune following his father’s support for Khusrau’s unsuccessful rebellion against Jahangir, his father. Mubarak Ali is subsequently imprisoned and castrated by a vicious enemy. He is then bought in the slave market, to serve in the imperial harem. There his background, breeding and personal courage stand him in good stead. He is not only befriended by Shah Jahan’s eldest, the beautiful Princess Jahanara, but is later placed in charge of young Prince Murad and is educated alongside.

Historian Murad Ali Baig’s first novel takes us into the world of Shah Jahan’s four sons and his daughters Jahanara and Roshanara

The book uses Mubarak Ali’s role as eunuch to great advantage to portray life among both the men and women at the Mughal court. He rides and hunts with Shah Jahan’s sons. He conjures up a vivid description of the royal shikar and of life in the Mughal camp, “a huge tented city”. As Shah Jahan travels to different districts to receive due tribute from their vassals or intimate rebels, the novel also captures the panoply of power which accompanies the imperial caravan — elephants, camels, cavalry and artillery, women (including the pregnant Mumtaz Mahal) carried in palanquins or riding veiled, on horses. Mubarak Ali goes on describes the death of Mumtaz Mahal in childbirth, Shah Jahan’s grief and the monument — the Taj Mahal — that he builds for her. Mubarak Ali’s sojourn with his shikari friend, deep in the forests among the Bhil tribe, teaches him how live and survive in a world close to nature which stands him in good stead during the exile he shares with Dara Shikoh and his diminishing entourage.

Mubarak Ali’s eyewitness account of the sibling rivalries between Aurangzeb and Dara Shikoh begins when Mubarak Ali is nine and first joins the royal household. He observes Shah Jahan’s harsh treatment of 11-year-old Aurangzeb, while the Mughal heir Dara Shikoh enjoys the undisguised love showered on him by Shah Jahan: he can do no wrong in his father’s eyes. Mubarak Ali writes of Aurangzeb’s courage, his undoubted competence as a military commander — and his successful campaign in Orchha at 15, followed by his appointment as viceroy of the Deccan.

He reveals that the teenaged Aurangzeb was strongly influenced by a Sunni scholar in the Deccan, during his campaign there. He contrasts the puritanical and orthodox Aurangzeb with the intellectual and literary Dara Shikoh, who translated The Upanishads and the Bhagavad Gita into Persian, espoused a mystical, inclusive Islam and was strongly influenced by the Sufis and Mian Mir.

In fact, as the friction between the two brothers grows, the novel continues to describe their rivalry and their power-struggle in the somewhat simplistic terms:

Dara wanted to bring all the people into the loving bosom of a merciful and benevolent Allah but Aurangzeb believed that the Mughals had a moral right to convert all the people of Hindustan into Muslims.

The problem with such a black-and-white reading of Mughal history and indeed Baig’s repeated statement that under the Mughals, India was a Muslim country, is that Baig looks at a pre-modern society through modern concepts of nationalism and statehood. Such interpretations are doubtless common currency in India and Pakistan today, but they do ignore the fact that from the 15th to 19th centuries, the religious wars that raged in Europe (Catholic versus Protestant) defined the nations of modern Europe, whereas in pre-colonial India, although religious conflicts did exist, battles were largely fought for power or territory with Hindu and Muslim rulers, joining forces against a common foe. Aurangzeb’s military allies were frequently Rajputs. As Aurangzeb’s power grew, both Hindu and Muslim princes/warriors joined him, and betrayed his incarcerated father and his defeated brothers.

As a historical novel, Ocean of Cobras does not take advantage of fiction as a creative medium to explore the emotional complexities of Shah Jahan and his fratricidal sons, which did not simply revolve around issues of faith, and whose actions would define the fate of their dynasty — and facilitate a denouement that they could not have imagined: British hegemony. Instead, Dara’s spiritual inclinations and his quest for transcendence, which encompassed many faiths and scriptures, are reduced by the author to a self-conscious post-independence polemic on religious unity. The novel is also peppered with sweeping and sometimes, inaccurate statements on Mughal/Indian history, including a reference to Aurangzeb’s literary daughter Zebunissa, as his granddaughter.

Nevertheless, this is a very readable book and its insights into Mughal life include particularly interesting details of military battles witnessed by Mubarak Ali. His narrative includes a detailed account of the Battle of Samugarh during which Shah Jahan’s armies led by Dara Shikoh were defeated by Aurangzeb. As a part of Dara Shikoh’s entourage, Mubarak Ali tells of their journey across the subcontinent from Agra to Lahore, where Dara Shikoh regroups his forces and travels through Multan, Thatta and Ahmedabad and encounters Aurangzeb’s armies at the Battle of Deorai. There Dara Shikoh is defeated once more. Mubarak Ali’s account leads up to the brief, shocking and tragic trial of Dara Shikoh for apostasy, instituted by Aurangzeb and his orthodox clerics, culminating in Dara Shikoh’s execution (soon followed by that of his mentor Sarmad) which is all the more chilling for its combination of fratricide, realpolitik and faith.

The reviewer is a writer and a critic.

Ocean of Cobras: The Epic Battle for the Soul of India between Dara Shikoh and Aurangzeb
(HISTORY)
By Murad Ali Baig
Tara Press, India
ISBN 978-8183861281
344pp.