2014: When Lollywood met Bollywood
Indian cinema is one of the most flourishing industries found today and this year, many Pakistani actors also tried their luck in one of the world's most prolific film industries.
2014 had its standout moments for our beloved celebrities working in Bollywood and here's what they have to say about it.
Ali Zafar
Ali Zafar leads the pack by being one of the first Pakistani actors to have accomplished relative success in a cutthroat Bollywood.
Ali ventured from working as a sketch artist in the Pearl Continental hotel, Karachi, to becoming a rock star and has now comfortably transitioned into a versatile actor having done a wide array of roles such as his debut in the satirical Tere Bin Laden to more romantic and comedic roles such as in Mere Brother Ki Dulhan and Total Siyappa.
However, in 2014, the heartthrob set out to redefine himself with Shaad Ali's Kill Dil in which he starred alongside big banner names like Ranveer Singh, Parineeti Chopra and Govinda.
Playing the role of a gangster, Ali has consciously tried to deviate from his rom-com image. The film led to mixed reviews, but Ali achieved what he had set out to do.
Speaking to Dawn, Ali tells us about his time on the Indian soil:
Was working in India a goal you had in mind from the beginning of your career or did it just happen when the opportunity presented itself?
Ali Zafar (AZ): Yes, it was a goal from the beginning.
If you go back in time (1999), when I was in college, I did have aspirations to become an internationally renowned singer, but back then, there was no such concept of somebody crossing over like that.
However, for some reason, I always had faith in the idea that an artist should strive to go global.
Once I started to talk to people about this idea, I realised that at the time there were very few people in Pakistan who dreamt big or thought outside the box. Primarily, the goal was to do well locally, basing their success on the amount of shows they've done in the country.
For me, the goal was to break barriers and I had to learn the dynamics of the business so it took time.
In the last 60 years, we had people trying to make it big there [in India], but were not successful.
So to be the first successful actor in India was a conscious struggle and effort. I wanted to break that barrier for others to also enjoy its fruit. And I'm happy and content that it has happened.
How is audience reception different in Pakistan and India?
AZ: Although I'm an optimist, at the same time I am also a realist and we must be honest with ourselves: all the most popular artists in Pakistan got to that level once they ventured into the Indian market.
Yes, they were well-known and admired in Pakistan, but they became stars when they tapped into the Indian market.
The reason behind this is that in Pakistan, the entertainment industry has neither developed as an industry nor has the perception of an artist. It'll take time for society to evolve and learn to appreciate art and artists.
Bollywood gives its stars value and appreciation. I'm not saying we don't get admiration and importance at home; it was Pakistan and Pakistanis alone who gave a lot of such stars their initial recognition, such as Rahat Fateh Ali Khan, Fawad Khan or Atif Aslam. However, to get to the next level, they had to make that leap and cross over to India.
There's no harm in accepting that our industry will take time to develop and it is working towards it. It's a process, a journey and it will eventually happen.
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Share your favourite moment/memorable story from working in India.
AZ: I've always felt that when the masses are recognising you and appreciating you, such as the rickshaw or truck drivers, that's when you've become a celebrity and I love each and every one of my fans.
So when I was being driven through a small, not very posh, community in Mumbai, I got noticed and the entire community gathered around the car and started screaming my name and praising me and that was truly a touching moment for me.
The fact that they came out of their houses to just tell me they enjoy my work was a big moment for me.
Do you truly feel 100 per cent accepted across the border?
AZ: There's no black and white with this. There will always be people everywhere in the world who would accept certain ideas and some who would not.
I would say that a large percentage of people in India are accepting me, have [accepted me] right from the first film.
When Tere Bin Laden came out, people didn't go like, 'Where did this Pakistani come from?', they actually went out to watch the movie and I got a tremendous response from critics and audiences for my work .
Who is that one person from Pakistan, and that one person from India who should work across the border, but hasn’t so far and why?
AZ: Mahira Khan is one individual who I feel is very talented and should work in India. She carries herself well. As far as someone from India working in Pakistan, I think Deepika Padukone should be involved in a project.
Humaima Malick
Humaima made her Bollywood debut earlier this year opposite Emraan Hashmi in 'Raja Natwarlal'.
The actor, who rose to fame after her performance in Shoaib Mansoor's Bol, gave a bold performance which met equal parts criticism and praise.
After Raja Natwarlal, Humaima has signed up for three films in Bollywood and already calls India her "second home".
The performer, who has also been making rounds on social media because of her on point fashion choices, speaks about working across the border:
Was working in India a goal you had in mind from the beginning of your career or did it just happen when the opportunity presented itself?
Humaima Malick (HM): I've never made goals in my life regarding my career because I feel like whatever you plan, sometimes it doesn't happen and sometimes, God has bigger plans for you.
When Bol released internationally, including in India, opportunities started coming in but at that time, I didn't really take them seriously nor did I have any plans to venture out into Bollywood.
When I got the script for Raja Natwarlal, I liked it. I thought it was different and not a typical Emraan Hashmi film. I liked the director as well as the production house and I figured I'd have good fun working with this team so I just went ahead with it.
How is audience reception different in Pakistan and India?
HM: India is a nation obsessed with cinema. They love their artists, they respect them so much.
Their celebrities are more famous than their politicians. If you go to Bombay, you'll see so many people waiting outside Mannat (Shahrukh Khan's house) or Jalsa (Amitabh Bachchan's house) just to catch a glimpse of them.
This is what we call stardom. People there respect and acknowledge art a lot.
Unfortunately, our nation has more pressing concerns such as immense poverty and security issues due to which entertainment takes a backseat.
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Share your favourite moment/memorable story from working in India.
HM: This entire past year; the release of Raja Natwarlal; the shooting process throughout with my amazing team; all of it was very memorable and has brought me immense happiness.
Do you truly feel 100 per cent accepted across the border?
HM: I don't want to be accepted anywhere [laughs].
I'm an artist. I work to be appreciated, I work for the people who love me.
I'm a peace ambassador, I always say that actors are peace ambassadors so there are no boundaries and no country limits for us.
I will go wherever my talent and my art will take me and continue to work without thinking about gaining acceptance.
Who is one person from Pakistan, and one person from India who should work across the border, but hasn’t so far and why?
HM: From the Pakistani industry, I'd say Shaan. Whereas from India, I want Salman Khan to work in Pakistan. He's the biggest star in India and he has a huge fan following so why not?
Imran Abbas
Model turned actor Imran Abbas is regarded as a surprising and welcome addition to the Bollywood bandwagon.
After working in television serials like Mera Naseeb, Khuda Aur Mohabbat and Dil-i-Muztar, the young actor smoothly shifted focus to movies.
His first Pakistani film was Yasir Nawaz's Anjuman which failed to impress most of the audience.
However, that did not hinder the actor's progress as he was soon after offered a role in Vikram Bhatt's monster thriller Creature 3D opposite Bipasha Basu.
The Malaal actor talks to Dawn about his experience in Bollywood thus far:
Was working in India a goal you had in mind from the beginning of your career or did it just happen when the opportunity presented itself?
Imran Abbas (IA): No, I neither ever thought, nor harboured a goal to work in India.
Actually, acting itself was never an ambition. Basically, I am a trained architect and initially I just received a flood of acting offers which just kept on pouring in.
I don’t plan these things and never really imagined I would work in India.
But working in Bollywood is both a huge responsibility and achievement as it is a huge industry which offers one wide exposure.
Its actors have made names for themselves worldwide, so being part of this industry has been a big honour and one should not be embarrassed or ashamed to admit this.
How is audience reception different in Pakistan and India?
IA: I think the reaction and the reception has been similar in both countries. Everyone appreciates good work.
I have received great respect in Pakistan from TV audiences and probably because of that adulation in Pakistan I have received recognition in India. If I had not appeared on TV in Pakistan, perhaps no one would have recognised me in India so I am truly grateful for the recognition Pakistan has given me.
I am definitely garnering good reviews in India, which can be seen by the standard of projects I am being offered and the ones I'm already doing. This can be witnessed by the fact that I have been offered a couple of mainstream Bollywood projects and by the fact that I worked with Muzaffar Ali sahib, which I think is a big achievement as he is a great director who has worked with all of India’s screen legends.
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Share your favourite moment/memorable story from working in India.
IA: I think working with Muzaffar Ali sahib was the apex of memorable experiences. Growing up as a classical singer myself, I used to listen ardently to the songs from his directorial venture Umrao Jaan.
It was always my wish to meet and work with a legend who has knowledge about classical music, about acting, about beauty; who knows about culture and traditions and myriad civilisations as well as literature.
I am also an art student so in my mind’s eye there is no one who fills all these attributes more than Muzaffar Ali sahib.
Other memorable moments which I will always remember include receiving compliments from legendary actors such as Dilip Kumar. Also meetings with Lataji (Mangeshkar) and Ashaji (Bhosle) remain special moments.
The interludes with these and others whom I grew up watching and admiring make up my most memorable moments.
Do you truly feel 100 per cent accepted across the border?
IA: No. It’s not like that. No one is ever accepted 100 per cent.
In a neighbourhood of 100,000 inhabitants, not all of those 100,000 will like you. There will be those who like you and those who don’t.
Anywhere in the world no actor or any human being for that matter receives 100 per cent acceptance. No one is ever totally happy with you or your myriad efforts and achievements.
Having said all of that, even though I have not garnered 100 per cent acceptance, whatever I have done is plenty and I would love to receive more love from India!
Who is one person from Pakistan, and one person from India who should work across the border, but hasn’t so far and why?
I think if the late actor Moin Akhtar had worked in India he would have been even more heralded and lauded than he already is. There was never such a brilliant actor as him in Pakistan nor is there now. I think he was one of the finest actors in the subcontinent.
I believe that Hina Dilpazeer would be much appreciated in India because she has an eclectic range and is able to perform diverse roles admirably, as well as Bushra Ansari who is similarly versatile.
I really hope that Amitabh Bachchan, who is a great actor and star comes to Pakistan and works in a project here.
Fawad Khan
Fawad Khan worked his way into the hearts of the Indian audience with incredible ease when his show Zindagi Gulzar Hai aired on India's Zindagi TV, followed by Humsafar, which is regarded as the most successful show in the history of Pakistani television.
He made his debut in Shashanka Ghosh's remake of the 1980 Hrishikesh Mukherjee-directed classic, Khoobsurat opposite Sonam Kapoor and became an A-lister overnight.
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Although the film itself was an average grosser at the box office, it solidified Fawad's presence in the industry and along with his brooding looks, his acting chops were also noticed.
Unfortunately, the actor was not available to comment on his Bollywood experience.
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