Entrance to the temple at Malka Hans. —Photo by Rida Arif I rang the bell not sure what would be the response of the people inside. A young boy emerged at the entrance and after listening to our request disappeared into the house. He returned after a little while, saying that they would not allow the men to enter the temple but the ladies with us could come in.
We implored, but the response was final. There was a dars, a lesson of the Quran, under way, in the courtyard, attended only by women. My friend Rida with her camera, and my wife Anam, disappeared into the temple, now an Islamic school.
We were at the historical city of Malka Hans, about 200 kilometres from Lahore, to visit the historical mosque of Waris Shah in the city. Waris Shah is a celebrated Punjabi poet known for re-composing the folk tale of Heer-Ranjha. With his rendition, he managed to leave such a stamp on it that all former versions are forgotten and the story is now known as Heer-Waris. Waris Shah is believed to have written this story in the basement of the mosque at Malka Hans where he used to work as an Imaam.
The temple was across the street from the mosque. In Waris Shah's time in the 18th century, it was not unusual to find a mosque and a temple sharing a wall. Today, of course, that is an anomaly.
There are several stories about this relationship between the mosque and the Hindu temple, about Waris Shah and his Hindu beloved who, it is believed, used to come to this temple regularly. The temple belonged to the sect of devotees of Chajju Bhagat, a 17th century Hindu saint from Lahore.
There were old houses located in this street, which must have once belonged to Hindu families living here. I wondered in what condition they must have left their homes in 1947, temporarily locking their doors, perhaps burying their precious belongings, hoping to return one day.
They never returned, but perhaps they told their loved ones about the homes they left behind and this temple. Perhaps their survivors have fragments of memories of stories they heard about this temple?
Rida and Anam returned after a little while, ecstatic. “It was a surreal feeling,” said Rida. “There were wooden figures all around the temple, perhaps angels, and sitting under them were these women clad in burqa, reciting the Quran. There were pictures of Hindu deities on the wall while these women talked about the unity of God. No harm had been done to any of these idols or figures on the wall.”
These women saw no contradiction in studying Islam in a Hindu temple.