-Reuters
Nuruddin, on Feb 10, 1850, wrote a monograph in Persian titled Tareekh-i-Koh-i-noor. It was in the form of a letter addressed to Major G.H. MacGregor, then deputy commissioner of Lahore. (The manuscript is now in the Punjab University Library, Shirani collection). Nuruddin included in his narrative two eyewitness accounts and also the doleful testimony of Wafa Begum, the widow of Shah Shuja.
Nuruddin quoted Wafa Begum’s response when asked what might be its value. “She replied, ‘If a strong man were to throw four stones — one north, one south, one east, one west, and a fifth stone up into the air, and if the space between them were to be filled with gold, all would not equal the value of the Koh-i-noor’.”
Understandably, when Ranjit Singh allowed his bauble, which he wore as an armband (bazuband), to be admired by visitors, his treasurer, Misr Beli Ram, kept the strings of the armband firmly within his grip.
Maharaja Ranjit Singh was the last male ruler to wear the Koh-i-noor on his person with impunity. Through his own exertions, he had achieved too much in his life to be daunted by superstition or forebodings of ill-luck. In June 1839, as he lay dying, he signalled to Kharak Singh, his heir apparent, to donate the diamond to the Jagannath temple at Puri. The horrified courtiers prevaricated, passing responsibility but not the diamond to each other. It remained in the Sikh toshakhana (treasure house).
Later, in 1841, his son, Maharaja Sher Singh, posed for the Hungarian painter, August Schoefft, wearing the diamond as his father had done, on his right arm. The diamond exacted its price and, in September 1843, Sher Singh was assassinated by Ajit Singh Sandhanwalia.
The stone was too large to be worn with authority for the juvenile, last Sikh ruler, Maharaja Duleep Singh. He was placed on the throne of Lahore at the age of five, saw the Sikh Khalsa defeated before he was eight, and was deposed by the British before he was 12. The victorious Lord Dalhousie exacted more than revenge from the Sikh Durbar for its jingoistic follies.