Did anyone truly believe that J.K. Rowling was done with Harry Potter seven years ago when she finished Harry Potter and the Deathly Hallows? We all didn’t, especially the Potter loyalists.
And now we can all say, “See, I knew it!”
A new Harry Potter book is here, and though it is the “official” eight Harry Potter book, it isn’t really a novel like the last seven. The story does provide a sense of continuity as it starts 19 years after the end of The Deathly Hallows, featuring the original characters as grownups sending their own children off to magic school.
It is the book version of the script of Harry Potter and the Cursed Child, a play that opened in London last weekend and was written by playwright Jack Thorne.
Yes, Ms Rowling isn’t the writer of the script everyone is rushing to buy or has bought, but her name appears first, obviously, and it is the script that is “based on an original story by Ms Rowling, Mr Thorne and the director of the play, John Tiffany”.
But don’t let this disappoint you as so far the reviews of the story are as great as any Potter book’s always are, and the two-part play is a hit, as is its book version.
The book was released the world over on July 31, which is Harry Potter’s birthday, with midnight releases in many countries seeing scores of kids of all ages dressed up in cloaks and hats like their favourite HP series characters, lining up to get their copy. Many must have stayed up all night to read the book and find out what more happened in the magical world of Harry Potter.
But would all the readers be as pleased with this book as they were with the last ones? Reactions and reviews abound in cyberspace, mostly positive. We will not recount those here, I believe in reading a much loved and awaited book myself so as not to come across the spoilers and spoil my fun, and I will not spoil the fun for you guys too.
But I am sceptical, because this time I’ll be reading a play script — something I hated in school — and not a novel. The magic of the series was in Rowling’s storytelling as much as in the stories themselves. But here is a script, comprising simple dialogues, devoid of the emotions of the speaker or the narratives that create the atmosphere in any story, and bland stage commands. The magical stage effects that have made the play a hit are also not possible in a play script. So are we going to find ourselves easily transported in the magical world of Harry Potter and Hogwarts.
So I am actually in two minds about reading it because I don’t want to be disappointed when comparing it with the other books, rather novels. I want to keep loving the magic of this world of wizards and witches.