Jean-Paul Sartre. — Wikimedia Commons
The relationship between Sartre and Simone de Beauvoir was a “philosophical demonstration of existentialism in practice, defined by the two principles of freedom and companionship”. It was essentially a relationship between two writers who developed most of their ideas together. Nevertheless, it would be wrong to believe that their philosophies are essentially the same. To appreciate the difference between Sartre and Beauvoir’s philosophy one needs to understand the differences between their novels, reasons Bakewell. Sartre can’t always make his fiction ‘sparkle’, but Beauvoir was more natural at fiction; he “took more care over plot and language, and she subordinated raw ideas to the play of character and event more carefully”. Moreover, “Sartre’s work was an epic exploration of freedom, in which the love affair takes its place among other threads; Beauvoir’s interest was in the power lines of desire, observation, jealousy and control that connect people”.
Sartre had developed most of his philosophy before WWII began, but when the war started it was the ultimate affront: “it threatened to sweep away all those personal thoughts and concerns like toys from a table”. However, “Sartre’s existentialism implies that it is possible to be authentic and free, as long as you keep up the effort. It is exhilarating to exactly the same degree as frightening”.
The chapters on phenomenology, especially on Heidegger, are both most intriguing and demanding. However, Bakewell carefully explains the philosophy in a manner that those unfamiliar with the discipline would be able to grasp its essence.
Whereas the main influence on Sartre was Heidegger, for Albert Camus it was Søren Kierkegaard. Even though Sartre and Beauvoir liked Camus as a person, they couldn’t accept his vision of absurdity: “Life for them is full of real meaning.” However, we need to bear in mind that Camus’s upbringing was vastly different from the other existentialists: “he grew up into a world of silence and absences. His family had no electricity, no running water, no newspapers, no books, no radio.” When Beauvoir wrote The Second Sex, Camus was incensed and accused her of “making the French male look ridiculous”.
For me, the most interesting chapter is the one which solely focuses on Beauvoir, who is rather marginalised in the rest of the book. Nevertheless, Bakewell tells us that Beauvoir’s magnum opus is a lot more complicated and radical than Sartre’s. She re-evaluated human lives as well as history, emphasising how we are all gendered beings; she exposed myths of gender and “resituated men in relation to women”. In The Second Sex she talked about the difference between biological sex and gender which is a social construct. “She showed how choices, influences and habits can accumulate over a lifetime to create a structure that becomes hard to break out of.”