By grabbing a cobra by its head, one woman changed her Tharparkar tribe forever
From inside a straw hut she had built, Meeran pulled out a small, woven basket and opened the lid covered in a swatch of azure blue fabric. With quick, nimble fingers she nudged the coiled cobra sleeping in the folds of a dusty pale cloth. The four-foot-long snake rose up, and, displeased at being awakened, began to sway, spreading its hood. Its eyes were level with Meeran’s steady gaze.
I was in Sobharo Shah, a small village 50 kilometres from Mithi, the capital of the Tharparkar district in Sindh. Sobharo Shah is one of the many small settlements in the vast desert where Meeran and her nomadic Jogi tribe live.
The Jogis make a living working the land during harvest season, earning a tidy sum in the process. During the rest of the year though, they trek by foot in the Tharparkar desert, performing snake shows and selling handicrafts. They can be identified by the quilted bags slung on their shoulders, in which they carry cobras and the snake charmer’s flute, a been.
As an anthropologist from Tharparkar who has worked with the Jogis, I had heard about a female snake charmer – the first female jogi or jogan, a fearless woman who had caught some of the finest cobras. My search for her had begun in Mithi.
“The jogan lives in the village by the tube well,” said the locals I met by the roadside, as I drove along the endless sand dunes of Tharparkar with my photographer. It was wintertime, and the temperatures during the day were a comfortable 25 degrees Celsius. The nights were cooler.
From the beginning
Amid a cluster of small huts made of mud and straw, we found Meeran, 50, tending to her two goats and cow. She was friendly. A smile broke out on her face, as we came closer.
She laid down a rilli, a handmade patchwork quilt, that was much too small for all of us, so we ended up sitting on the sand. In the winter chill, the grains felt biting cold on the palms of my hands. Meeran seemed perfectly at ease.
Locals walked past us, wrapped in black shawls shot through with glowing coloured thread. Meeran stood out among them – she was dressed simply in an ajrak print ghagra and a top called a polka. Around her neck was a beaded necklace, and on her finger was a dull gold ring. She lit a cigarette and called to her daughter to bring tea. Smiling, she began her story.