In memory of my sister, Perween Rahman
Perween Rahman, Director of the Orangi Pilot Project, was killed on this day in 2013.
She was a selfless and dedicated activist, a dear friend, a close comrade, a loving daughter and my younger sister.
Below is an account - largely imaginary, but also including factual details - of the chain of events leading to the moment Perween was shot.
That morning, she was up, as usual, at 7:30, greeted by birds chirping in her garden on bushes of red and yellow ixora, hibiscus flowers, swaying palms, clay figurines of ducks and elephants, vines and flowers, and butterflies and bees, for her bed was right alongside the window to the garden and the curtains were never drawn.
The cats who slept on her bed, one at her feet, the other by her head, began their call for food. She told them to be patient until she had washed her face and brushed her teeth. Telling them this was a complete waste of time for they never ever relented, so with her hair flowing, in her red linen nightgown, admonishing the cats, she headed to the kitchen to dole out their food. Added to the two permanent feline members of the family were three black kittens she had picked up on her way from office.
After feeding the cats, she made breakfast for Ammi and herself – one poached egg for herself, two toasts with butter for Ammi, and tea for both. They sat at the dining table in direct visual line with the dining room window which was abound with red, pink, and white fragrant jhumka flowers, yellow flowers of the radhachura, and trailing vines with heart-shaped leaves.
The table was surrounded by blue, rust and yellow pottery, vase, pitchers and plates, on the floor, on the sideboard, on the shelf with plants growing in bottles, brought from the numerous trips to towns and cities of Sindh and Punjab where she would go to meet her partners.
She was to go to Dadu in a couple of days to supervise the shelter program for those affected by the floods that submerged large swathes of Sindh and Punjab. She had told Anwar Rashid that they had to make time to go to Bhitshah to celebrate spring later in the month.
They had been there, as was their tradition, on new year's eve to pay homage to Shah Abdul Latif Bhitai whose songs to the seven queens of Sindh – Moomal, Sassui, Heer, Lila, Saroth, Marvi, and Sohni – spoke of their beauty and purity of heart through the ragas that bore their name. Anwar Rashid joked that if Perween had lived in the days of Bhitai Shah there would surely have been a raga for her, probably called sur muskurahat or the song of smiles!
Each time she went to the mazaar complex, she blithely climbed the steps to the main building of the blue and white floral embellished mausoleum. On the way, stopping by every vendor, sometimes to ask them how they were and always to buy something or the other from them, a ring, a set of glass bangles, discovered, as if for the first time, with accompanying trills of laughter, buying the umpteenth ring, the hundredth bangle, the thousandth cat figurine – all to be given to friends, team members and nieces.
This was her custom too in the bazaars of Uch Sharif, the lanes of Thatta, the bazaar in Bahawalpur, Thailand, Bandung, Sri Lanka, Nepal, India, Switzerland, Japan and everywhere else she went to talk about the model of people-government partnership through which sanitation, housing, education, and health for the poor could be obtained.