Chirping birds, their colourful wings and free flights have always been a cheerful sight on the horizon of Jahanian until the few years; these scenes inspired Tariq Hameed Sulemani to pick a camera and shoot such scenes. Born and raised in Jahanian, a small town near Multan, to a family of hakeems (alternative medicine practitioners), he would spend hours tracking wildlife in lush green fields and the canal around his hometown.
Moved by the beauty of Nature, he would frequently go to Gilgit-Baltistan for hiking and tracking.
“I had an ordinary point-and-shoot camera, which I would put in my backpack before starting a track,” he recalls the old days. “Over the time, I realised the importance of shooting the mesmerising scenic beauty,” he recalls.
He bought professional equipment and with this, photography became a never ending story of his life. With 12 solo shows, in various countries, including the UK, Sweden, the US, Czech Republic, Oman and a couple of shows in Pakistan to his credit, Mr Sulemani has been practising photography for more than a decade.
His exhibitions have worked like ambassador for the country, for several western photographers, inspired by his works, have visited Pakistan.
“They (Western people) treat us like artists, but here in Pakistan we have no copyrights protection, no acknowledgement or earning from creative photography,” he says.
Mr Sulemani has volunteered to teach photography to local aspirants and trained a group of 16 people. The group includes three poachers, who now shoot footage of wildlife scenes with cameras, not the wildlife with guns.
He regularly organises photography events on non-commercial basis in Jahanian.
“Jahanian was once known for my grandfather Hakeem Abdullah Rori Wala, who wrote numerous books on hikmat, which are part of the syllabus at Tibbia colleges. Now it is known for our photography activities, participated by youngsters and contemporary professionals from all over Pakistan. In few of events, more than 250 photographers joined in to make the biggest photo walk of Pakistan,” he explains the emerging trends of photography in his town.
He has travelled to almost every corner of Pakistan, except for the Federally Administered Tribal Areas (Fata) and Balochistan, to capture landscapes, portraits and wildlife. He has a good collections of the photographs of shepherds, which migrate to Multan every year from Balochistan, walking with their families and livestock.