PROFILE: THE PASSIONATE ARCHAEOLOGIST
In 2006, the State Bank decided to establish a museum. At that time, there was a small display on the fourth floor of the State Bank where they had a modest collection of artefacts. This was the time when Dr Asma Ibrahim was doing her post-doctorate in archaeology after getting a Fulbright scholarship at the University of Wisconsin, Madison. “When the post for this museum was announced, I applied and was hired. I was given a free hand to plan and set up the museum.” She calls the museum her “baby”.
The museum is Pakistan’s first state-of-the-art Monetary Museum; it has an art gallery and is also a member of the International Council of Museums and the Commonwealth Association of Museums.
Dr Ibrahim recalls that soon after she joined the State Bank, her mother was bedridden after suffering a stroke. “That was a tough time for me, as I had to look after my mother and deal with the museum at the initial stages. My mother passed away just a month before the inauguration of the museum but I didn’t cancel the date of the inauguration of the museum.”
Archaeologist and Director of the State Bank Museum and Art Gallery, Dr Asma Ibrahim shows what can be achieved through sheer determination
Now, the fully-accessible museum — wheelchair-friendly, deaf and dumb friendly and blind friendly — comprises eight galleries. It houses two coin galleries (coins from pre-historic age up to the eighth century AD in one gallery, and the other for Islamic coins from the eighth century till recent times); a currency gallery; stamp gallery (with stamps dating back to 3,000 BC); the State Bank gallery which exhibits the record of the SBP’s foundation; the State Bank Governors gallery; and an art gallery. Of special interest are the murals by Sadequain relating to various themes of the State Bank which he was commissioned in the 1960s. A huge mural called ‘Freedom Fighters’ and a Quaid-i-Azam mural (20 feet by 10 feet) was donated by the late artist Zahoorul Ikhlaq.
In order to attract more visitors, the State Bank museum has been made fully interactive. From the displays, to the lighting, everything leads the visitor from one thing after the other. “To make this museum attractive, I trained six interns from the visual studies department at Karachi University for the first time in museum graphics.” Audio commentaries complement the displays. “Everything is digitalised; for instance, if one wants to find out about any coin from the 7,000 coin collection, it is just a click away,” she says.
The museum is also included on Google Arts & Culture space since August 14. And the 3D virtual tour of the museum is very popular.
THE FUTURE OF ARCHAEOLOGY HAUNTED BY THE PAST
Dr Asma Ibrahim’s passion for archaeology dates back to her student days when she was briefly introduced to the subject of human evolution. As the Karachi University did not have a department of archaeology, she had to enrol in the department of history where, to some extent, she studied archaeology as well. And it was because of her love for the subject that she assiduously fought against the discrimination and bias she faced at every stage and which made her carry on with her work.
Similar to establishing the museum, gaining professional recognition as a woman in the field of archaeology was tough. Ibrahim faced an initial setback at securing a position at the department of archaeology. “After doing my masters, I approached Dr Khursheed Hasan, then director general of the Department of Archaeology and Museums run by the government of Pakistan, in a bid to join the department. He scolded me — in fact snubbed me — and sent me back saying that girls cannot join the archaeology department.”
Disappointed, she took up journalism, wrote for several publications and wrote two course books for children as well.
After attending a course at the Lahore Museum by Dr Ahmed Hasan Dani, an authority on Central Asian and South Asian archaeology and history, she acquired a PhD in numismatics (study of coins) on Dr Dani’s advice.
In 1990, she finally joined the Department of Archaeology and Museums through the Federal Public Service Commission. “But because the department was not happy with me being there, I was posted in the exploration and excavation branch which was kind of a dungeon and a storehouse for all sorts of bones and material excavated from different sites and was a very horrifying place. Perhaps they thought I will run away,” the archaeologist says. However, she stuck to her guns and set about cleaning and organising the whole branch.
In the same year, a French mission headed by a woman archaeologist, arrived in Pakistan and Dr Ibrahim sought her DG’s permission to go for excavations. He refused straightaway, saying that girls were not allowed to go for excavations. However, on her persistence he conceded on the condition that she furnish a letter signed by her parents that if anything happens she herself will be responsible. Her mother signed the letter for her and she was allowed to go.
Some young women do join [the Department of Archaeology and Museums], but leave without completing their studies, especially after marriage. “They are not allowed to go for field work, leaving their children behind for two to three months, to work on the field. It’s a social and cultural problem,” Dr Ibrahim says.
Whereas Dr Ibrahim fought to make a place for herself in the field, she understands why few women followed her footsteps. Some young women do join the department, but leave without completing their studies, especially after marriage. “They are not allowed to go for field work, leaving their children behind for two to three months, to work on the field. It’s a social and cultural problem,” she says.
The archaeologist takes cues from one of her teachers, who was her mentor. She advised the young Asma to not wait for others to do something but do whatever she can in her capacity. In doing so, at least at the State Bank Museum, Dr Ibrahim gained support from the bank and its governor who provided sufficient funds to carry out her ventures.