Even after retirement, Saleem Asmi picked and chose his spot on the social circuit, lending his voice to causes that remained close to his heart.
Layout and design were not areas that Dawn editorial had ever felt enamoured with. So it was, again, a hassle to go for bigger pictures with four-colour printing, background screens, reverse headlines and even playing around with the column width. Today, they are all part of everyday life at Dawn, but those were different times and it’s funny that I am only talking about things that happened just about two decades ago.
Another turnaround that I thought was necessary and long overdue was the coverage of Human Rights. This apparently was a fallout from the Zia days when the state itself was against giving anybody any right and that explained its distaste for any coverage on that count. It made editorial sense to me to stop publishing press releases coming from entities that were practically one-man parties, and use it for the real stories related to abuse of rights.
And when things were so grey in the domain of Human Rights, one can well imagine what it would be like for Art and Culture. Their coverage was practically considered beneath out editorial dignity. But changing times came to my aid again and we were able to walk this road as well. In the domain of magazines, Gallery was a full-scale publication dedicated to the subjects and it was well-received. It had its share of critical acclaim. Today when I see such coverage consuming ample space – sometimes beyond that – on Metropolitan and National pages of Dawn, a wry smile is what I often end up with.
Talking of magazines, Books&Authors was something I really feel very happy about. Book reviews and excerpts had been a part of Dawn for long, but they were rather scattered and abrupt. By bringing them under one umbrella, along with Urdu-language titles and inclusion of authors in terms of their direct contributions and interviews, struck a chord almost immediately with the audience. When we slightly adjusted the focus by encouraging fiction over current affairs, it was like shedding another piece of editorial arrogance.
But while indulging in all these acts of rather ‘soft’ journalism, there was no compromise on the staple diet of hard news that is part and parcel of any newspaper worth its name. The interview of Osama bin Laden we published in November 2001 was a World Exclusive and was quoted widely and wildly across the globe.
It was his first interview with any journalist since the infamous 9/11 and he had a lot to say to the West. Publishing it was a tough call to make as the Editor, but I think the right call was made. The same applied to the decision to publish the complete report of the controversial Hamoodur Rahman Commission. It was some vindication of the decision when other newspapers followed suit.
With the changing of times around the turn of the century – millennium, actually – it was also time to adjust the workflow at Dawn and it was just in the fitness of things that we went through a process of internal devolution of authority where section heads were encouraged to act like team leaders and take their own decisions.
I quite cherish a remark that was narrated to me by Zohra Yusuf, a Dawn friend, who quoted Zubeida Mustafa, a very senior member of the Dawn family, as telling her that I was opening up windows in what had for long been a fortress. If I was able to do that, I guess my job was done.
The writer is a former Editor of Dawn.