[And every time the aftermath — a realm of total silence/ A silence that swallows the terror and horror of victorious drumming/ The pomp and show of the standards/ Silence is that rhythm of defiance, a form of protest] (Translated by Brenda Walker)
Now, this is heroising of the silence of testing times. Because when ruthlessness expects everyone to sing odes to it, those practising a strategic silence are actually voicing their disdain for them.
‘Aik Rukh’ helps us to read the irony packed in another poem by Arif called ‘Aakhri Aadmi Ka Rajz’ (The Last Man’s Boast), in which all the courtiers and collaborators of the king are satisfied after doing away
with all their unbowed citizens. They see peace in hanging all the heads that refused to bow. This, of course, is a critique of the shortsightedness of the courtiers of a king, and this critique is, without doubt, timeless in its appeal and relevance.
At another stage, reawakening begins with a whisper of dislike for silence. The poem ‘Sargoshi’ [Whisper] is an attempt to convert despair into hope. While it admits that the times are wrong and the realities are bitter, the whisper attempts to induce hope and teach courage to a soul that has completely given up.
Next to it is the birth of a desire in the heart of the poet. ‘Pata Nahi Kiyun’ [I Don’t Know Why] sees this age as a sea of tears and a forest of arrows and, strangely, the poet wants this apparatus of silencing to pierce only his eyes and heart! He wants everyone else to be spared. This desire for himself taking all the blame, and being at the receiving end of the stone-throwing people, is also reflected in Arif’s poem ‘Scandal’.
This desire to get the cannon of silencing turned on to oneself is reinforced with the birth of a question. ‘Aik Sawal’ [A Question] reminds us of our eloquent forefathers, who never surrendered to any force of oppression. They offered their lives for truth and their martyrdom became the most powerful voice in support of the oppressed. So, ‘Aik Sawal’ shakes us out of our complacency by boldly questioning the authenticity of metaphorical blood that is silent in times that need speaking: