ISLAMABAD: A group show of artworks featuring five promising artists from Afghanistan, Sri Lanka and Pakistan opened at Nomad Gallery on Saturday.
The ‘Absence of the Present’ is a collection of provocative yet unique art, unraveling root causes of conflicts, violence, human miseries, angst and indignation afflicting societies in the South Asian region alike.
“The artists have subtly reflected on common issues and innovative solutions for creating peace and understanding in the region,” said Nageen Hyat, director of Nomad Gallery.
Curated by promising artist Eemaan Raja, the works by Mohammad Shahab Eslami, Mohsin Taasha, Sivasubramanium Kajindran, Sadquain and Resham Javid depict conflicts, human sufferings and existential crisis.
The theme shows the indifference of people towards certain problematic issues in our region and societies, the curator said.
“Selection of the artists and their works has been done carefully focusing on the subtlety and strong visuals,” Ms Eemaan noted who is also an alumni of BNU and plans to leave for Germany next month to pursue her two years’ master’s degree in curation and public art.
Talking to Dawn about her debut work as curator, she said: “It has been a rough ride but after five months we have been able to put together this show.”
Kabul-based artist Mohsen Taasha’s four paintings ‘Rebirth of Red Series 2’ in watercolour on wasli paper depict the sufferings that his people had been through for decades. He has created a link between the art, history and culture of the Hazara ethnic minority community.
He graduated from Kabul Fine Arts Institute in 2010 and did his bachelors in visual art from Beaconhouse National University (BNU) Lahore in 2017. He participated in a number of solo and group shows in Germany, Italy, the US and Lebanon.
He has used a novel way of telling stories about the unheard voices. The ‘Rebirth of Reds’ movement aims at keeping alive the fond memories of all those who became victims of the extremism, violence and state repression.
Jaffna-based artist Sivasubramanium Kajindran’s two giant paintings showing headless figures in military attire shows the effects of over-imposed security in society. He has painted different moments and the toll of conflict on human psyche and society.