Illustration by Abro
Pakistani and Indian cricket fans are some of the loudest and most colourful lot, especially in front of TV cameras where they often like to scream with reckless abandon and make the most curious faces. They will tell you they are very passionate about cricket. This comes from how they proudly explain themselves as belonging to a ‘very emotional nation’ (jazbaati qaum). This is an entirely subjective claim. There is no science behind it, which proves that South Asians as a people are very emotional. Therefore, it is largely a perception. So, where did this perception originate? Most likely in Britain, which ruled India as a colony for almost 200 years.
Take for instance the famous 1924 novel A Passage to India, by British author E.M. Forster. Dr Aziz, one of the Indian characters in it, is a Muslim and portrayed as an intelligent but emotional man. Nineteeth century British authors, such as James Mill and Charles Grant, repeatedly describe Indians as being overtly religious, irrational and emotional. The celebrated author and intellectual, the late Edward Said, would have denounced this as being stereotypes invented by Europeans to make Eastern societies seem backward.
Said was the founder of ‘post-colonial studies’ — the study of the cultural legacy of colonialism and imperialism. In 1978, he wrote the hugely influential book Orientalism, in which he demonstrated how Western writers have been concocting distorted views of Eastern cultures, especially ever since the 18th century. According to Said, this ‘Orientalism’ was enacted as a depictive tool which was closely related to and informed by the West’s imperial politics and ambitions.
Edward Said’s seminal postulation has been critiqued as guilty of the same generalisations that he criticised about Western depictions of non-Western societies
Said wrote Orientalism when the US had already lost a devastating war in Vietnam and when Britain was facing a series of political, social and economic crises. The predicament in the West, further compounded by the 1973 Oil Crisis, generated an academic onslaught within Europe and the US that fervently attacked the modernist narratives of progress on which European imperialism and then the postcolonial dominance of the US were supposedly built.
Such modernism was often critiqued in the context of how the West had distorted the image of Eastern cultures to facilitate political and economic exploitation. But, ironically, almost all of these critiques emerged in the West, even though Said was a Palestinian. However, he wrote his book while he was a professor at an American university.
This idea of Orientalism generated great excitement among young ‘post-modernist’ academics. Nevertheless, when it did leave the confines of American and European academia and reached non-Western regions — mainly through Asian, African and Arab students studying in American and European universities — the idea began to be rapidly adopted by certain segments, who used it to justify violent attacks on anything they deemed ‘Western.’
The attacks were first intellectual and political in nature, in countries such as India, Saudi Arabia, Pakistan, China, Thailand, South Korea, Turkey, Indonesia, Malaysia, etc. Western civilisations were explained as being devoid of spirituality, morals, roots and values and only driven by sensual pleasures, profit and exploitation. This understanding of the West soon began to colour the rhetoric of Hindu nationalists, ‘Islamists’ and intransigent dictatorships. This is when some of the first poignant critiques of Said’s Orientalism emerged.
The most veracious critiques of Orientalism came from British historian Albert Hourani, British author R.G. Irwin, American scholar Nikki Keddie and, especially, the British-American historian Bernard Lewis. Lewis in 1993’s Islam and the West and Irwin in Dangerous Knowledge, argue that Said treated the West the same way he accused the West of treating the East.